Carolina González Valencia (b. Bogotá-Colombia)
Carolina's practice lies at the intersection of personal, social, and political narratives. She weaves multiple media--animation, video, film, performance, writing, drawing, painting--to create documents that challenge social and historical representations of migration, otherness, diaspora, and labor. She has worked on projects in Colombia, Mexico, Argentina, Uruguay, Chile, Lebanon, and the United States.
Carolina's work has been shown internationally at such venues as the Museum of Contemporary Art in Quito, Ecuador; the Center for Maine Contemporary Art (Rockland, ME); GAZE (San Francisco); International short films showcase (Jakarta, Indonesia); Full Frame Theater/International short films and videos (Durham, NC); Broward College (Davie, FL); Contra el Silencio Todas Las Voces (Mexico City); Cinemateca Distrital (Bogotá, Colombia); Gene Siskel Film Center (Chicago). Her films have been screened on public access TV on such sites as Can TV (Chicago) and Videonautas (Colombia). She is the recipient of LEF Foundation Production Grant, the Lyn Blumenthal Scholarship (School of the Art Institute of Chicago), the Gelman Travel Fellowship (School of the Art Institute of Chicago); and the Programa Nacional de Estímulos (Colombian Ministry of Culture).
She received an MFA from the School of the Art Institute of Chicago (Department of Film, Video, New Media, and Animation). Carolina is now a professor in the Department of Art and Visual Culture at Bates College in Lewiston, Maine.
Como Mosca en Leche, 2012